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신국판보다 세로로 좀 더 큰 크기, Hardcover, Original판
* 앞표지의 상단 모서리에 스티커를 뗀 흔적으로 약간 찐득거립니다.
A provocative character study of the historical Jesus and Yahweh is presented from the perspective of a literary critic, citing inconsistencies and logical flaws throughout the gospels while arguing that the Hebrew Bible and Christian Old Testament are incompatible texts that reflect differing political and religious purposes. By the author of The Anxiety of Influence. 75,000 first printing.
Prolific literary critic, Yale professor and professional provocateur Bloom (The Book of J) here tackles the characters of the Jewish and Christian gods: what god do we meet in Hebrew Scripture? Who is the Jesus of the New Testament, and does he bear any relation to the Jesus most Americans worship? Does, for that matter, the Hebrew Yahweh resemble the first person of contemporary Christians' Trinity? Bloom, as usual, skewers quite a few sacred cows—for example, he dismisses the quest for the historical Jesus as a waste of time, and says that Jewish-Christian dialogue is a "farce." But in fact Bloom's major points are somewhat commonplace, including his assertion that the Christian reading of Hebrew Scripture laid the groundwork for Christian anti-Semitism. A fair enough charge, but hardly a new one; theologians have observed, and debated, this point for centuries. Bloom's real brilliance lies in his smaller, subtler claims, such as his nuanced discussion of the different ways Matthew, Mark and Luke present Jesus, his assertion that Bible translator William Tyndale anticipated Shakespeare, and his observation that, contra Marx, religion is not the opiate of the people but their "poetry, both bad and good." The book is learned, even erudite, and sure to be controversial. (Oct. 6)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
** From Booklist **
The most prolific American literary critic maintains a lesser career as a critic of the religious imagination. His most famous product in that capacity, The Book of J (1990), argued that a woman wrote the Torah. The American Religion (1992) descried a specifically American kind of religious creativity, of which the greatest expressions are American Baptism and Mormonism. This book is more personal than argumentative and more literary than religious criticism, unless Bloom's frequent exasperated disparagements of Christian theology are considered a form of the latter. It is an examination of Yahweh (whom Bloom discriminates from God the Father in the Christian Trinity) in the Hebrew Bible and of Yeshua or Jesus of Nazareth (whom Bloom discriminates from Jesus Christ) in Mark, the one Gospel Bloom finds compelling. Yahweh is an all-too-human deity, says Bloom, and Yeshua is entirely human. Moreover, the two are akin in irascibility, unpredictability, and a penchant for irony. While Yeshua could be Yahweh's son (but isn't), Jesus Christ, a creation of Paul, the Gospel of John, and the rest of the New Testament, except the epistles of James, bears no family resemblance Bloom can see. The interest of Bloom's analysis is undermined, especially for readers knowledgeable about Christian orthodoxy, by his anti-Trinitarian carping and his confused statements about the Incarnation and Atonement, which some may see as symptoms of willful ignorance or even anti-Christian prejudice. Ray Olson
Copyright © American Library Association. All rights reserved
** About the Author **
Harold Bloom
The author of twenty-seven books and the recipient of many honors, including a MacArthur Fellowship and the Gold Medal for Belles Lettres and Criticism from the American Academy of Arts and Letters, Harold Bloom is Sterling Professor of Humanities at Yale University and is a former Charles Eliot Norton Professor at Harvard. He is best known for his New York Times bestsellers Shakespeare: The Invention of the Human; The Western Canon; and The Book of J, as well as his early classic, The Anxiety of Influence.
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